Monday, October 28, 2019

Fast-Fashion Retailers Influence Customers To Have Unrealistic Price Expectations: Customers Are Unwilling To Pay The Price Of Sustainable Fashion

More consumers are trying to switch to sustainable clothing options. However, not everyone realizes that sustainable and ethical fashion, comes with a higher price tag. Consumers who are familiar with shopping at retailers such as, H&M, Zara and Forever 21 are more accustomed to a certain price point that is relatively low. The reality is, when clothing is extremely cheap, some type of short-cut is likely being made. Lower price tags may be the result of unfair working wages, mass order sizes, cheap fabrics etc. Although, fast-fashion retailers have been making changes to be more sustainable, mass production is still harmful and is less sustainable than independent designers who are creating sustainable lines for smaller audiences.

Sustainability is a definition that varies a little for everyone, in general sustainability involves aspects of caring for the environment and when in relation to apparel, the ability to last. In return, won’t end up in the landfill. Stephanie, previous owner and designer of Fait Atelier, says sustainability means creating something that is made to last. “My garments were made of linen, because linen ages well, I also used indigo to dye my products because it’s natural and as it ages the colour changes, making the aging process beautiful”. Stephanie spoke on how a product that lasts forever is something worth investing in. “I wanted my products to be an investment, that is fixable if they ever needed repairs and would last forever”.

Fast-fashion retailers produce products faster than we can keep up with, often resulting in packed stores and lost margins. Forever 21 is a good example of a store that produced too fast, having too much inventory and maybe not the “right” inventory, resulting in a bankruptcy. Irene Kim and Kaitlyn Wang state in Business Insider that “Jin Sook was eventually approving over 400 designs a day. Which meant the company could sell trends as they were happening. Even if some of those designs landed Forever 21 in trouble.”. Although speed is a desire for consumers to have the latest trends, rushed products tend to result in a less sustainable product. Stephanie gave a breakdown of how long it takes her to make a “batch” of her indigo dyed, linen garments. “A breakdown of the whole process includes everything from the idea down to the marketing. It took me about 5-10 hours to create and idea and source for it, and it took me about 30 hours to cut and sew a batch of about 20, then I had to tag them all and take pictures and market them, which took about 5 hours”. That’s about 45 hours for one batch! The time and effort put into independent brands can’t be compared to the mass market when it comes to care and sustainability.

Apparel production is without a doubt harmful for the environment, the mass production apparel market is especially damaging. According to an article by Jasmin Malik Chua in September 2019 for Vox, apparel and footwear production accounts for about 8.1 percent of global greenhouse gas emissions. Brands and designers have pressure to produce as responsibly and ethically as possible by consumers. However, fast-fashion retailers get away with taking short-cuts as customers desire affordable prices. What some customers don’t realize is retailers that produce a mass amount of clothing at an affordable price are likely to be making shortcuts. It can be assumed that the retailer is making a fair mark-up margin, so somewhere down the production line a price shortcut is being made to achieve a low price tag. Stephanie spoke about how sourcing locally increases cost to produce. She said “My fabric of choice was linen, which is already a more pricey fabric, sourcing it locally is definitely more expensive than if I were to ship it. I also account for my time it takes for me to go and source my fabric, because if I shipped it, I wouldn’t have to account for that”. When shopping locally and sustainably, the prices tend to be higher because the costs of goods are generally higher.

When I asked Stephanie if she thinks customers being accustomed to fast-fashion retailer’s low price points affected the willingness of customers to purchase her line, she shared, “I think it affects younger shoppers the most, the people who were usually willing to shop my line were more mature, and I think that’s because young shoppers grew up in the prime of fast-fashion. Where more mature, older generations were aware of it, but value a good product more. Younger generations seem to shop frivolously and carelessly, for fun. The clothes probably sit in their closets with tags on them, because they shop just to shop and cheapness is more important than ethics”. She also mentioned that she has been noticing a change in younger consumers more recently, “I do think there’s hope for the future, younger customers are slowly starting to share concern about the world, and I understand the want for cheap clothes. I don’t think it’s necessarily fair either that being sustainable costs so much...”. Consumers desire ethical, sustainable clothing, but the price of fast-fashion seems hard to ignore.

Independant, sustainable brands definitely have their work cut out for them when working against mass production retailers that offer prices they simply can’t afford to offer. Stephanie shared she’s taking a break from her line because she wasn’t making enough money to be profitable. A common struggle that many smaller designers and brand owners face.

Digital Disruption— How the Fashion and Beauty Industry is Adapting and Advancing with Technology

If you were to ask yourself what you picture the future of fashion and beauty industries to look like, what are a few descriptors you would use? For me, technology and sustainability are two words that quickly come to mind. The future of fashion and beauty is constantly evolving and adapting to new trends to help make their products and services more attractive and helpful to their customers. Through technological advances and innovations, the online and in-store shopping experience has evolved over the years. Online retailer perks, innovative app features, AR (augmented reality), and social commerce are a few examples of how the fashion and beauty community has introduced many technological innovations. These changes can be seen as for better or worse depending on the individual shopper but overall they are meant to aid and advance the overall experience for shoppers.

According to a July 23, 2019 article by Digital Commerce 360’s April Berthene, e-commerce accounts for more than a third of all apparel sales. Several years ago this might not have been the case. Online retailers have taken over the fashion and beauty industries by introducing innovative and useful ways to research, browse, and purchase products and services. The popular shoe retailer Converse joined the AR community recently by introducing the “Converse Sampler App”. This app allows customers to shop for their preferred shoe or design their own and sample them on their feet by positioning their cameras on their feet. They then have the ability to see how the shoe would look versus going in-store to try them on.

Sephora, an example of a popular beauty retailer, has introduced features online and in-app that enables customers to colour match foundations and concealers, along with sampling lipstick and eyeshadow colours. The idea is for the customer to take a clear head shot of themselves and upload it to their account and find what works for them from there. This allows consumers to shop and browse on the go rather than visit the store to have a beauty expert aid them in these discoveries. Along with providing makeup finding aids, Sephora has online and in-app bonus features to ordering products online. Multiple freebie and sample promo codes are provided to customers when ordering online which increases online and in-app purchases versus in-store. 

Online retailers have increased over the past few years, leaving in-store retailers needing to advance and expand their offerings to keep shoppers interested at in-store level. Uniqlo and TopShop are two examples of apparel retailers that have both online and physical locations for their customers to shop. To enhance in-store shopping appeal for consumers, both retailers provided similar innovations that have become increasingly popular for in-store retailers. AR features have been becoming an interesting used feature in-store to help persuade customers to continue shopping in-store versus online or through an app. TopShop introduced the popular in-store trend of AR mirrors that allow customers to try on articles of clothing and accessories without actually having to try them on in change rooms. Similarly, Uniqlo brought in mirrors that allow customers who try on items to view different colours of the items through the AR features. These AR features help solve the issue of customers not wanting to try on clothes for sizing, fit, and colours while in-store.

Social commerce is feature added to social media over the past few years that has become an increasingly popular way for consumers to shop and purchase products. Instagram is one of the top social media platforms for social commerce. Over the last few years it has brought in the feature where you can add links for each individual article of clothing, accessories, or beauty product. These links take you straight to the product online or even just provide the price right there to eliminate the consumer having to go search for it themselves. In your story, if you are a big enough influencer, you can add the “swipe up” option where it will take you directly to the site and the exact link for the product or service. Facebook, Twitter, and the popular social media platforms are offering the same sort of concepts through advertisements posted on their sites. These advertisements are, most of the time, linked to stuff you have previously research or looked at before.


Technology will continue to advance and expand with the fashion and beauty industry. At the end of the day, people have their personal preferences of how they shop which will sway their decision regardless of technological advances or not. My personal opinion is that most of the technological innovations in the fashion and beauty industry only enhance and benefit the shopping processes and outcomes for consumers. Along with easing the process of shopping, the technological aspects help the environmental concerns consumers have.

Lost in Translation - How Fashion is losing its meaning


Lucas Sobczak 101195390
Sarah Hood
Journalism: FASH 2082
October 28, 2019

Lost in Translation - How Fashion is losing its meaning

            In recent years it seems that everyone is taking their stake in the fashion arena. If you were to ask a majority of the Instagram generation who their favourite designers are, you would hear the likes of Virgil Abloh, Heron Preston, or 1017 ALYX 9SM. These are just a few of the several tastemakers that the today’s consumer buys into for what comes with purchasing their garments, the attention and recognition. The raging popularity of these labels transformed the once friendly platform, where you would share photos of your meal with filters caked on, is now the home to influencers flexing their expensive poorly made garments in order to out-do the next. The toxicity of the bourgeois mindset has led many, once prestigious, luxury houses to conform to meet the demand of this new consumer. In a sense, fashion has lost its’ identity. The modern fashion admirer is left to question the ethics of mainstream designers and the industry has turned its back on the history and craftsmanship popular fashion houses embraced to create their legacies.

An area which negatively affects the industry would be streetwear. In 2018 Mark Bain from Quartzy, an online media source for pop-culture, defined streetwear as being, “...a niche, upstart movement, its signatures—casual clothes like hoodies and tees, graphic logos that seem made for the Instagram age…” The vague category in fashion, where aspiring designers are set to grab their piece of the consumer pie. Street wear was once a reflection on youth and hip-hop culture where luxury’s logomania designs laid this niche’s foundation. Those part of this group would buy into the culture one brand embodies without needing to live the presumed lifestyle their consumers tended to live. This shift in consumer behaviour began to gap to divide between the upper echelon of society and the middle market and unifying the class system. Young creatives began to see opportunity by mimicking and simplifying the practices luxury houses were using to expand their market. The age of the logo begins.

Attending school was once the way someone chased their dreams of becoming a designer. However, this is no longer necessary. To be someone successful in the industry is to be someone willing to put capital towards an idea. With the addition of a good Instagram following and some clout, today’s designer emerges. The product of this formula has led to an oversaturation of industry movers who aren’t doing anything except to reap profits from the misled consumer. Millennial industry movers, such as Off-white and Supreme New York, have found much success in both the western and eastern parts of the world. The steps these labels take in the path to recognition comes at the consumer’s expense and is transparent through the lack of idealism and quality in the clothes that monopolize Instagram’s explore page. Designers no longer design with purpose of deep expression, rather for economic gain. Too many designers saturate the market with false truths, neglecting purpose or meaning. Business of Fashion Columnist, Eugene Rabkin in 2018 stated that, “We have entered a state of pure postmodernism, where anything goes, and nothing means anything anymore.” Rabkin’s statement expresses how meaning and connection cannot be forced. Designers once made people look at a garment in new ways. Form, structure, and environmental influences once conceptualized great design.

The number of individuals expressing artistic concepts make it difficult to highlight persistence when the market is flooded with commonalities. In an interview with Eugene Rabkin in 2018, Ann Demuelemeester, renowned designer and graduate from Royal Academy of Fine Arts Antwerp, was asked about intangible elements in her work. Demuelemeester took her jacket off her back and began to explain how a seam and certain cut reflected the fragility and imperfection of man and how she literally cut meaning into her garments. Ann Demuelemeester highlighting her design process and her conscious effort to portray the imperfection and fragility of man, displays her ability to create garments utilizing destructivist methods. The complexity of artistic principles used in today’s designer lackluster in comparison to those like Demuelemeester. Perhaps the new generation no longer values the design process or quality of garments, rather, the marketability and influence of the final product holds greater importance.


Times are changing and new generation no longer values the artistic integrity within garments. They are no longer moved by intangible details, but instead influenced by social trends. The change in fashion may have a simpler explanation. Perhaps fashion is evolving rather than changing. The couture era of putting meaning and valuing form is obsolete and society would much rather spend their money on representation through logos and graphics. It is difficult to understand where fashion will end up as it is constantly changing, however, it is evident that unless more individuals create dialogue about quality and craftsmanship, fashion will lose its meaning.

Advancement of Technology and the Decline of Authenticity: What is the real danger of replicas in our industry today?


It is inevitable that technology will evolve and that we must face the consequences that come with it. We live in a universe where digital technology has continuously been taking over all sorts of roles that play a part in our day-to-day lives. In the past, the advancement of technology was predicted to only make life easier for humanity, but the reality is that not everything is made to solely have a benefit; dangers arise as well.

With regards to the fashion industry, one of the most spoke about things today would be whether or not a person was wearing a real designer, or simply a fake replication piece. Everybody wants to fit in and follow the latest trends, have the most recent releases, or just profit off of reselling a big name. The downside to this is that not everyone is able to afford everything, therefore they make copies and call it authentic. It’s been seen on social media platforms such as YouTube on how to “get the look for less” or “DIY fashion trends” so that the people who aren’t able to afford the luxuries can still fit in. Now don’t get me wrong, I personally admire these hacks because they not only create a budget friendly look, but they also encourage recycling and reusing items which benefit our world. Although the danger with this is that because creating replicas of items or accessories is so easy and accessible nowadays, the original pieces are beginning to lose their value and authenticity.

To the average eye, the differences are so little that not everyone is able to decipher what’s real and what isn’t. Though to more knowledgeable fashion lovers, a fake can be spotted miles away. For example, from afar, even the most replicated t-shirt can look similar to an original brand because majority of people focus on the look of something overall as opposed to knit picking on the quality. Replicas are so easy to get and make without getting in trouble with trademarks because what people do is change the look of things very slightly, so then by technicalities they aren’t ripping off the designers and companies. When a person comes to take a closer look of a replication, with knowledge on how original things are made, they would be able to say whether a piece was real or not by investigating the little things such as the fonts, spacing, and even stitching. I still remember this one time when someone was trying to convince me that their Jordan shoes were authentic, but it clearly said “Air Jordam” instead of “Air Jordan.”

Tying back into technology, the pros do include making production much easier because now things can get done in packs as opposed to one person doing a job. Technology will always be able to work faster than the average person, therefore in a way this advancement is more productive and less time consuming. With the creation of replicas, it can be seen in a positive perspective because more people can feel like they fit in at a more affordable price, and as I mentioned before learning to recycle items and pieces plays a role in the sustainability aspect of the fashion industry. The cons on the other hand deal with other issues such as how much pollution is being made from the fabrication of these working technologies, how costly everything is and how high the levels of job loss rose since the work of humans are being taken over by machines. In relation to the negatives of replicas, the overall idea seems like a big con altogether, but the way that I see it is that genuine authentic pieces lose their value overtime.

Technology and the Fashion Industry are just two out of millions of topics that battle against the evolution of our digital universe. I took the time to talk to local designer Jillian Joy Ubando of Jillian Joy Hand Crafted to see what her opinion was on the industry and dealing with replicas as technology moves forward. She believes that everyone’s fashion, whether high end or low end, is beginning to look the same due to today’s society that wants to look like the celebrities and always fit in. Industries and companies may be losing value as well as potential profit and consumers because of the rise of replicas, but she doesn’t believe that it is a significant loss. According to Jillian, “someone can point out the adidas three stripes right away, and if there are only two stripes it can be easily considered a replica or an attempt of replication, but not many people can easily point out a Vera wang gown or Hailey Paige dress without studying each brand in depth.” What I took out of this was that replications do cause dangers in the industry, but more so towards certain departments of a company instead of a complete disruption of destruction overall.

So, now that we have a better understanding of the correlation with technological advancement and the easy access of replicating pieces and accessories, who can we blame and who is at risk in the future? Technology is going impact the industry no matter what. In retrospect, we all saw this coming, we just weren’t prepared enough to deal with the consequences. Will replicas be a continuous development as well? Who knows, but in the meantime, our duty is to be aware of what’s going on and find balance between the two in a way that can benefit not only the future of the industry, but the future generations to come as well.